Joy, Light, & Everything Pumpkin Spice

Welp, we all know what’s about to happen, right? I’m gonna make a reference to the artificial jet lag created by the time change and that I kinda like it. And then I’m gonna say something like “it must be that time of year for another sweet potato curry, washed down with a pumpkin stout, and then chased by a slice of pumpkin cheesecake” or somesuch.

So let’s just cut to the chase, shall we?

Time’s a’wastin’ because I need to be finalizing the music for our Joy and Light concert in December and preparing for the Fall Texas Toot workshop in East Texas and trying to make time to watch our London City Limits concert video because we spent a lot of time on the concert and the audio/video editing and it’s pretty danged good! You should watch it. Details are on our website.

So, you see, rather than go on and on about not being able to find any pumpkin spice contact lens solution, I’m gonna get back to work! And think about the pumpkin spice ice cream I might have during a break.

See details about about our upcoming Joy and Light concert below!

And Happy Thanksgiving!
–Danny

P.S. Don’t forget: TEMP CDs make great holiday gifts! Purchase CDs at our concert venue or order from our Recordings page!

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Joy and Light: Delights of the Season

Saturday, December 9, 2023 at  7:30 pm
&
Sunday, December 10, 2023, 3:00 pm
Redeemer Presbyterian Church, 2111 Alexander Avenue

Hosted by Arts on Alexander on the campus of Redeemer Presbyterian Church, 
2111 Alexander Ave, Austin, TX 78722.
Visit the Arts on Alexander 2023-2024 events on the AoA website.

Admission $35 general; $30 seniors (60+); $5 students with ID
Tickets available in advance online or by cash, check, or credit card at the door.

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

Join Texas Early Music Project for its annual multilicious feast of diverse holiday music through the ages. Cultures across the centuries have celebrated this season of expectation and rebirth, and we are contributing our share with medieval chant and joyous carols, magnificent motets, sweet Celtic songs, exuberant folk-tunes, and more.

 Much of the music for this concert comes from Southern Europe, including folk tunes from France that have remained popular through modern times as well as newly written pieces based on French chant. The enchanting Sephardic songs that we have chosen for the Chanukah section come from Turkey and Morocco. In addition, we will present music by the “newly discovered” Vicente Lusitano, a mixed-race Portuguese composer. Active in the 16th century, Lusitano has been described as the first published Black composer.

 In addition to the haunting motet for 5 voices by Lusitano, we have created a “medley” on the popular 14th-century tune In dulci jubilo (also known to modern carolers as Good Christian Men, Rejoice), using settings by different composers of the German Renaissance and Baroque: Michael Praetorius, Hieronymus Praetorius, and Dietrich Buxtehude. The settings range from verses for 2 parts, 3 parts, and so on, up to 12 different parts.

 The British Isles are represented by a variety of popular ballads and folk songs from England and Scotland, all penned by that long-lived composer, Anonymous. As usual, there will be a few pieces composed and arranged in the last few years using some of the styles of Medieval and Baroque repertoire.

 Tim O’Brien, David Lopez, Cayla Cardiff, Erin Calata, Page Stephens, Jeffrey Jones-Ragona, Jenny Houghton, Ryland Angel, Adrienne Pedrotti Bingamon, and Jenifer Thyssen are among the featured soloists, and we are happy to have both acclaimed harpist Therese Honey and kantele virtuoso Viktoria Nizhnik featured in our small orchestra.

 Join Texas Early Music Project for a splendid and enriching evening of music. Encompassing 700 years of festive creativity and beauty, this music is sure to delight your ears and warm your heart. We coined a new word to describe the concert: multilicious!

Click on the image above to buy tickets now!

Follow the Yellow Brick Pathway . . .

That Schütz & Buxtehude built!

Howdy! It's been a busy summer. TEMP had a concert of Medieval music at the Mt. Carmel Hermitage Monastery near San Angelo at the end of June and it was really well-received. It was about 80 miles from where I grew up and the afternoon light was unmistakably that of west Texas. This was sandwiched between the Texas Toot workshop in June and the Amherst Early Music Festival/Workshop in July and season preparations in August and ... well, you see where we're going with this: It's already time for concert season!! Our 19th concert season? Could that be true? It takes almost all my fingers and toes to count up the years, so it must be!

We start off with a revised version of our 2005 concert, "Pathways to Bach," which won the Critics Table Award for Best Choral Concert that year.  This year we're doing a different cantata by Dieterich Buxtehude than the one we did in 2005 because Sara Schneider requested it! And it's truly extraordinary; I hope you'll love it! And speaking of Sara Schneider: She will be giving a wonderful pre-concert lecture about 1 hour before concert time both days: "Strange Tones: What Bach Learned from Buxtehude" — don't miss it! 

And be sure to watch the latest broadcast of Meredith Ruduski's Music History Shorts in which she interviews Sara Schneider.

So join us in about 2 weeks! And don't let the start time catch you by surprise on Saturday: lecture at 6pm and concert at 7pm (and lecture at 2pm and concert at 3pm on Sunday!)

Bis bald! (Till soon!)
-Danny

Pathways to Bach

Saturday, September 3, 2016 at 7PM (with pre-concert lecture at 6pm)
Northwest Hills United Methodist Church, 7050 Village Center Drive

Sunday, September 4, 2016 at 3PM (with pre-concert lecture at 2pm)
Northwest Hills United Methodist Church, 7050 Village Center Drive

Admission $30 general; $25 seniors (60+); $5 students (at the door only)
Tickets available in advance online or by cash, check, or credit card at the door.

Take advantage of preferred seating by purchasing Season Tickets!

For more information, call 512-377-6961 and leave a message,
or email info@early-music.org.

Don’t miss the pre-concert lecture by Sara Schneider 1 hour before each concert:
Strange Tones: What Bach learned from Buxtehude

J.S. Bach didn’t just appear out of nowhere. Dieterich Buxtehude heavily influenced Bach; before that, Buxtehude was influenced by Heinrich Schütz, who is considered one of the most important German composers of the 17th century.

Heinrich Schütz, rightly called the ‘father of German music,’ brought Germany into the forefront of the musical world in the mid-17th century, establishing a trend that lasted more than two hundred years. Dieterich Buxtehude was one of the most important composers in Germany at the end of the 17th century and he was a primary influence for J.S. Bach’s sacred cantatas and organ music. For its opening concert of the season, Texas Early Music Project performs some of the most technically and emotionally powerful music by both of these composers, featuring Schütz’s Musikalische Exequien and Buxtehude’s magnificent cantata Herzlich lieb hab’ ich dich, o Herr.

TEMP's season starts with a 26-voice choir and small orchestra performing major works by Schütz & Buxtehude. Featured soloists include Gitanjali Mathur, Jenifer Thyssen, Shari Alise Wilson, Cayla Cardiff, Nina Revering, Erin Calata, Ryland Angel, Stephanie Prewitt, Paul D'Arcy, Jeffrey Jones-Ragona, David Lopez, Thann Scoggin, Peter Walker, Steve Olivares, and Brett Barnes. The period orchestra includes period strings (violins, viola, and cellos) and a continuo band of theorbo, harp, and organ.

Join us for our opening concert! Glorious and revelatory music
by both Schütz and the composer known to J.S. Bach as Buxte-Dude!

Season Subscriptions and Single Tickets are on sale now!