Paris in full bloom, with spice

Wow! You know, we almost scheduled a preview concert of our upcoming Paris City Limits program in actual Paris this summer, but then someone scheduled the Olympics there so we decided to wait and stay closer to home. I mean, the traffic alone deterred us. I know we could have waited until the Fall and we could do the Paris concert in Paris then, but we would miss some of the other important goings-on here in AusTex! Besides, I don’t know if you can get a latte aux épices de citrouille there, not that I’ve ever had a bona fide, certified PSL here. But that brings us to the heart of the matter:

It’s September, when we locals begins to look forward to the finer things of life, including cooler weather for several months at a time, so we can begin to enjoy outdoor spor… I mean musical activities and festivals and walks through the Hill Country on a cool autumn day and watch out for that cactus and there’s nothing like nature yes the wild mountain cedar then the sneezes and the rushing yes for the tissues yes then the beautiful country with fields of oats and wheat and buckwheat yessss I said buckwheat and yes I’ll have another buckwheat pancake and yes I would yes even as we see rivers and streams yes and culverts and wildflowers of all sorts of shapes and smells and… Whoa! What is that intoxicating aroma wafting through the junipers and cedars? Of course, it’s the perfume of the wild pumpkin spice!! I forgot, it’s September!! We’ve finally finished August, aka that long pre-pumpkin-spice month! 

Ok, I know I digressed, but I must go. I need to begin my search for you-know-what while I’m finishing up the work on our Paris concert (in Austin). Check out all the details below. I need to find a latte aux épices de citrouille, stat!!

—Danny

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Paris City Limits:
Circa 1550

Saturday, September 28, 2024 at  7:30 pm
&
Sunday, September 29, 2024, 3:00 pm
Redeemer Presbyterian Church, 2111 Alexander Avenue

Hosted by Arts on Alexander on the campus of Redeemer Presbyterian Church, 
2111 Alexander Ave, Austin, TX 78722.
Visit the Arts on Alexander 2024-2025 events on the AoA website.

Admission $35 general; $30 seniors (60+); $5 students with ID
Tickets available in advance online or by cash, check, or credit card at the door.

For more information, email boxoffice@early-music.org.

We’ve named our 2024-2025 season Reconnections: Reflections with friends, old and new. Our most recent Paris City Limits concert was almost exactly six years ago, and we all know that is a long time to be separated from a dear friend. How fortunate that the dear friend in question has such a rich history: Renowned for its popular music of France from the 16th and 17th centuries, Paris City Limits regales audiences with exuberant dances, popular folk songs, dazzling chansons, and heartfelt songs of love and melancholy by both the masters of the day and some relative unknowns.

Imagine a music festival that explores the rustic and sophisticated musical hits of 16th-century Paris and its environs. There are some top hits by Josquin and Lassus, some lyrics by the leading serious poet of the time, Pierre de Ronsard, as well as wondrously gentle and touching songs by Janequin and the new kid on the rue, Pierre Clereau. Then it will be time for some exuberant Breton dances to put a smile on your face and a tap in your foot.

There are dozens of chansons attributed to the master of the day, Josquin des Prez, and we will be performing four of them. Three of those four are for six parts, allowing the master to experiment with textures and harmonies. As the finale, TEMP’s 16-voice chorus will perform Janequin’s spectacular and picturesque chanson about the birds (Le chant des oyseaux). Enjoy the audio teaser from our Paris City Limits CD below.

Click/tap on the CD cover images to enjoy more audio samples
and visit our Recordings page to view all of our CDs.

Our featured singers for this year’s Paris City Limits include TEMP regulars Jenifer Thyssen, Adrienne Pedrotti Bingamon, Jenny Houghton, Cayla Cardiff, Page Stephens, Jeffrey Jones Ragona, Ryland Angel, and more. The instrumental ensemble features harpist Elaine Barber, violinist Bruce Colson, our viol consort (Mary Springfels, Kit Robberson, Joan Carlson, John Walters, and David Dawson), recorder player Susan Richter, and lutenist Héctor Alfonso Torres.

Venez, y’all!

TEMP 2024-2025 Season: Reconnections

And Now for Something Completely Different!

HEY! February is a short month, so let's do a Baroque concert and then in 3 weeks give a Medieval / Renaissance concert! "C'mon," they said; "it'll be fun," they said.

Darned if they weren't right. I love this stuff! You're going to, too!

More soon!
Danny

The Flowering of the Renaissance:
From Italian Chant to Ciconia

Saturday, February 28, 2015 at 8PM
St. Mary Cathedral, 203 East 10th St., Austin, TX
(Free parking is available in the Capitol Towers Parking Garage located off San Jacinto Blvd.,
immediately behind St. Mary Cathedral. The gates will be lifted after the concert
so one can depart without paying between 9:45-10:15)
& 
Sunday, March 1, 2015 at 3PM
First Presbyterian Church, 8001 Mesa Drive, Austin, TX

Single tickets can be purchased by clicking on the button below
and are also available at the door, payable with cash, check, or credit card:
$30 general, $25 senior (age 60+).

Discount prices for students with student ID are available
for purchase at the concert door for $5. 

One of the most magical and transformative periods in all of Western music history emerged in Italy in the 14th and 15th centuries, full of stylistic and theoretical developments that led to the golden period we call the Renaissance. Music from the ars nova period (the 14th century, called the trecento) displayed variety and expressiveness in ways not previously possible. Florentine composers such as Lorenzo da Firenze, Gherardello da Firenze, and Francesco Landini created music that was wildly exciting with incredible rhythmic variation and chromaticism and yet there was much that was incredibly delicate and tuneful. Some of the pieces that will be performed by these three composers include Lorenzo’s “Io son un pellegrin,” Gherardello’s exuberant canon for two tenors, “Tosto che l’alba,” and Landini’s “Abbonda di virtù.”

The Flemish composer Johannes Ciconia, whose professional career as a composer and theoretician was spent almost entirely in the papal chapels and in Padua, represents the next generation of composers in our program. His music is a blend of French and Italian techniques and the result is a style that is uniquely his. The aural effects created by Ciconia’s style of imitation are vibrant and absolutely refreshing! His works “Venecie, mundi splendor,” “Ut te per omnes celitus,” and others will display his jaw-dropping creativity and inventiveness.

Ciconia’s work in Italy in the early part of the 15th century paved the way for other Lowlands composers such as Heinrich Isaac and Josquin des Prez, both of whom spent major portions of their careers in Italy and helped make Italy the flower of the Renaissance. Isaac’s long-term working relationship with Lorenzo de' Medici established him as the preeminent Florentine composer at the end of the 15th century; his motet “Quis dabit capiti meo aquam,” written to commemorate Lorenzo’s death in 1492, is a truly touching testimonial to his patron. Isaac’s motet from the Song of Songs, “Tota pulchra es,” is among the most beautiful and spellbinding works from the Renaissance.

Peter Maund, Bay-area specialist in early percussion, returns for the concert, as will Mary Springfels, renowned virtuoso on Medieval fiddle and viola da gamba. Erin Calata, mezzo-soprano from Seattle, will be the featured soloist in Isaac’s ode to Lorenzo de’ Medici, and will be will be joining TEMP soloists Cayla Cardiff, Jenifer Thyssen, Stephanie Prewitt, Jeffrey Jones-Ragona, Paul D’Arcy, and Daniel Johnson.  The complete complement of performers includes sixteen singers and seven instrumentalists (vielles, violas da gamba, recorder, harp, and percussion) for a concert that will be in turns sweetly meditative and rousingly lively, both in the visually and acoustically magnificent space of St. Mary Cathedral and in the much more intimate (and acoustically renovated) First Presbyterian Church.

Join us for wild and saucy dances fit for Boccaccio's Decameron, shimmering and bold works by Ciconia, and progressive and iconic motets by Isaac. Experience the expressive beauty of the Renaissance blooming across Italy.

TEMP’s Upcoming Performance -- They Might Be Giants: Josquin and the Renaissance

Renaissance polyphony can be sublime, suspenseful, moving, and exhilarating! We hear the interweaving voices, the imitative entrances, the artfully prepared dissonance along with the excruciating sweetness of the resolution, and we simply know we are listening to the music for a master who could control the notes, rather than the other way around. Texas Early Music Project’s upcoming concert of music by Josquin des Prez and three of his Franco-Flemish colleagues will display the skill, precision, imagination, and variety available from the best of the generation of composers who lived from c.1440-c.1520 and who set the standards for future composers.

Josquin, the most renowned composer of his day, was really a giant among giants. This concert will immerse listeners in the music of Josquin and three of his Lowlands contemporaries: Antoine Brumel, Loyset Compère, and Pierre de la Rue.  Each of these composers, including Josquin, was named in Jean Molinet’s famous ode “Nymphes des bois,” written after the death of Johannes Ockeghem, their musical father, and each of these magnificent composers contributed his own unique vision to the sacred and secular repertories of the day. Josquin, Compère, and Brumel worked for courts and cathedrals in France and Italy and influenced the next generations of composers all over Europe. Pierre de la Rue lived and worked mostly in Burgundy (now Belgium) where he continued in the footsteps of his predecessors Dufay and Busnois at the Grande chapelle, the musical establishment of the Burgundian-Habsburg court.

Among the featured pieces are some of Josquin’s standouts, including “Nymphes des bois,” and two pieces from the beginning and the end of his career. Beautifully transparent and emulating some of the techniques of earlier composers, TEMP will feature the much-loved “Ave Maria” from the beginning of his career. “Missa Pange lingua,” composed during the last few years of his life, exhibits the powers of a composer who has nothing to prove. Rather than exhibiting new skills, Josquin went deeper and composed with calm mystery, especially in the “Agnus Dei,” which ends the concert. One of the most unique masses composed during the Renaissance was Brumel’s “Earthquake Mass” (“Missa Et ecce terrae motus”) for 12 voice parts.  The Gloria of the mass is perhaps the most celebrated movement and TEMP is excited to bring the splendid and exciting music to the Austin community!

TEMP founding member Christopher LeCluyse will return to perform in this concert. A small chamber choir of 12 voices will perform some of the most splendid a cappella motets and mass movements by the featured composers and will feature some of the best voices in Austin. A trio of viols will present lively secular pieces and solo lute will perform intabulations of sacred and secular music of these Renaissance titans.

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They Might Be Giants: Josquin and the Renaissance

• Saturday, October 29, 8PM,St. Louis King of France Catholic Church, 7601 Burnet Rd.

• Sunday, October 30, 3PM, First Presbyterian Church, 8001 Mesa Drive

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TICKETS

for They Might Be Giants & other TEMP performances

‣ purchase online

‣ by phone (512) 377-6961

‣ or at the door.

See you there!